Hellboy

Alright, so seeing as how I'm comment #430, I don't imagine that anyone is going to read my review, or that anyone will be encouraged to watch Hellboy because of anything that I'll say. There are others who have written short novels on IMDb about what a great movie this is, so there's no point in me doing more of the same.

Suffice it to say that this movie is beautifully shot, well acted (with the exception of the kid who plays the FBI agent) and directed by masterful Guillermo Del Toro with style and grace. It's not for everyone, and those who are fans of the comic will probably enjoy it more than your average moviegoer. But if you like movies like The Crow or Darkman, this one is right down your dark little alley.
Author: ghoulieguru

Mission Impossible

Brian De Palma delivers a kinetic live wire suspense filled espionage thriller to open the Mission Impossible franchise. The camera work is exceptional with De Palma's trademark sense of motion applied to suspenseful heists and an amazing train ride sequence during which you really get the sense of speed and danger. Also created is one of the most iconic images from any thriller of recent times Tom Cruise suspended mid heist inches from a pressure sensitive floor. Cruise lives up to his star billing and for me really nails the Ethan Hunt character, Jean Reno, Ving Rames and the stunning Emmanuelle Beart provide able support.

My one problem with this film and unfortunately quite a big problem is that the twist in the tale can be seen coming a mile off. Which is a real shame as this film is inventive, fun, stylish and everything a main stream thriller should be.
Author: no-skyline

Heroes

Although the show's concept is sort of a ripoff of the X-Men concept of people evolving to have super powers, I have to admit it was enjoyable. The acting was all very well done as were the slices of life that introduced you to each character. The effects are kept very low-key making it more believable than the typical super hero show. There is a great underlying darkness that permeates as well, giving one the feeling that some very bad things are about to happen. My mom even liked it, and she usually just sticks to shows about cops and politics (like West Wing, Law & Order, and CSI). If you haven't seen it give it a try. It's a very good show so far and only promises to get better.
Author: Blackavaar

Batman Begins

This film easily trumps any live-action incarnation we've scene of the Dark Knight before, borrowing heavily from both the comics and the Dini and Co. animated series. This is a hard, fast, driving, heartfelt epic that draws you into the character of Bruce Wayne and makes you damn well care. Batman doesn't play second-fiddle to the villains here like in the other films. It's his movie and that's the way it should be.

Much has been said of the film's "reality" quotient, and I'm here to say it works. Nolan talks about how Batman's strong because he does push-ups, he gets around because of his gadgets, and by introducing each of them with a plausible explanation, we forget to quibble and go along with it. The technology may be fantastic, but it's believable. And, unlike the "reality" of something like Daredevil, Nolan doesn't forget his ideals halfway though and start having Batman wire-jump thirty feet into the air.
Author: DPG311

The Golden Compass

For some strange reason, a theater in the middle of the cornfield in Indiana had a sneak preview of the Golden Compass, and being a fan of the books I decided to take advantage of it. I wasn't sure what I was getting into, as there seems to be a rather large glut of Harry Potter and Lord of the Rings wannabes crowding theaters now and in the near future. This version of the Golden Compass beautifully brings the books to life and was very pleasing to watch with rather nice visuals. The acting is quite good, especially from the young lead, and the animation makes one wonder what they can't do with computers these days. The only true complaint I have about this movie is that it is difficult to understand and follow if one is not familiar with the books. Some scenes at the beginning seems disconnected, but after the halfway point the story comes together. The Golden Compass series is rather dark in its nature, and I'm glad that the movie didn't pull any punches with the supernatural combat (which is awesome, specifically when the witches and bears do battle). Some liberty is taken with the story as expected, and many church references are renamed, but the quality of the story never suffers. I recommend the movie and I look forward to seeing the rest of the trilogy completed.
Author: impairedproductions

Jerry Maguire

This movie is a comedy, drama, romance, sports movie, and a money movie (e.g. Wall Street, where the main character is trying to make a lot of money). The problem such a movie faces is maintaining a consistent tone. Remember Prizzi's Honor? JM solves that problem by using restraint. It doesn't go over the top, although its characters sometimes do. It has funny moments, but it's not Animal House or American Pie. It's a drama, but it keeps the stakes low. This isn't Armageddon: they aren't trying to save the world. There are no life or death decisions. The romantic stakes aren't that high either: Renee Zellweger loves Tom Cruise, but she's been in love before and if this doesn't work out, she will be again. The only really high stakes are the money. By keeping the stakes low, JM let's us watch it with a bit of detachment.

This is more of a drama than a comedy. A good test is whether the characters change. Here, Tom Cruise starts off completely cynical, abruptly changes to ridiculously idealistic, then spends the rest of the movie finding the right balance. Renee Zellweger starts by loving Tom Cruise from afar, then gets him, then has to work out her ambiguous feelings.

JM is fun to watch. The characters, though flawed, are sympathetic. We enjoy watching them succeed, fail (sometimes in funny ways), and try to discover what they really care about. It's complicated, thoughtful, and surprisingly subtle.
Author: Tom-2128

Smallville

When I first heard of the idea behind Smallville, I rolled my eyes and thought that is the dumbest idea ever. I mean, who wants to see Superman as a teen? Well after seeing it, I can say I sure as hell do. It has been a long time since I have been glued to the TV screen, waiting anxiously to see what will happen next. The reason this show is so good is because you already know the characters. Unless you were born yesterday, you know the story of Superman, you know who Lex Luther is. Superman is a permanent pop culture icon, like Batman. When I watched this show, I already knew these characters, it was so simple to get into this show. The WB must have dished out the big bucks for this show because for TV, the special FX were amazing. Everything about this show is pure gold, I know I will tune in every week, and watch one of the best shows on TV.
Author: TheBabblingFool

Kill Bill: Volume 2

Over the last 40 years, I've seen a lot of movies. All types. Some great, some good and some mostly inedible; most left my breath with a sour smell. Westerns, sci-fi, comedies, dramas, etc. After seeing Kill Bill Vol I, I assumed that any sequel would pale to its predecessor. I, of course, was premature in my prediction. The movie was, by all means, a classic. I feel Taratino was really trying to make a great movie versus making money for his producers. To build his tasty sandwich, he took the lessons he learned from life as a movie maker and cleverly managed to meld some slices of meat from Sergio Leone (subtly), Akira Kurosawa (very subtly) and, I'm stretching it here, Ridley Scott, to create a great sequel to an excellent first movie. He used some great, almost forgotten actors (Daryl Hannah, Micheal Parks, and David Carradine to create a memorable meal. It was only a sandwich, but what morsel it was. I was full and wanting more. Very rare to find this type of film in our corporate world. He must wield some real power in the movie world. I don't know of anyone who has saw this movie who hasn't given it great feedback. And I know all types of viewers. My wife, who really doesn't like anything that is not overly melancholy or dripping with sentimentality, actually liked the whole movie. That in itself is an endorsement. Well done. Mr. Tarantino, you will be hard placed to match this gem.
Author: abacus24

Kill Bill: Volume 1

Probably Tarantino's most universal movie to date, with a little less character dependency than most of his films and a more linear approach than usual, Kill Bill Volume 1 is a great place to start for anyone new to his movies. I don't mean to imply this is a shallow film (far from it), i simply found it easier on the mind than Tarantino's other movies.

Uma Thurman, left for dead by her ex-boyfriend (Bill) doesn't die and begins her quest for vengeance, by hunting down Bill's gang members in a search for Bill. Armed with a Samurai sword and a deadly blend of martial arts skills, Uma delivers action, violence and passion as she plays out the character with beautiful precision.

Need i say, this is excellently directed, brilliantly scripted and cast, and should be in everyone's Tarantino collection.

10/10 Second only to Pulp Fiction. Although it has wider appeal (I think)
Author: mjw2305

Terminator 2

Terminator 2 is quite the action film. Arnold returns as the Terminator, but now with a different (and not as dark) mission. This time, he takes the place of Michael Biehn's character in the first part and Robert Patrick takes the part of the evil one. Differences though because this time John Conner, Sarah's (and the original soldier) son, is the target and the Terminator is after him. And, Patrick's terminator is called the T-1000 and is completely liquid (in amazing Oscar winning visual effects). Superbly filmed for maximum impact, it's also great fun, and some very memorable quotes (new and old). For those not looking for a full-on masterpiece of the cinema, it's still a very cool film and one of Arnold's best. But for the 'snobs', it should still act as entertainment- and prove that Cameron is expert at editing and story. This was Edward Furlong's film debut as the young conner. A+
Author: Filmjack3

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