Blades of Glory

From the very first second I laid eyes on the absolutely hilarious poster for this film, in my neighborhood multiplex a few months ago, I knew with extreme certainty that I'd be seeing it the very first week it opened. Caught it on Wednesday and I'm here to say the movie most definitely delivers on the promise of the poster, big time.

Jon Heder finally gets a role he can have some fun with for a change (which hasn't really happened since Napoleon Dynamite), and he's superbly cast as the sheltered and phobic Jimmy MacElroy, the perfect foil for Ferrell's sex machine on skates, Chazz Michael Michaels. Ferrell is fast becoming more and more adept at portraying genuine characters in his movies, not merely hollow caricatures, and he is clearly in his element here.

The beginning of the movie, the set-up, is wonderfully written, and the over-the-top tone that's established in these opening scenes is successfully carried throughout. The energy level stays high, the plot never gets tedious or bogged down, and, best of all, the routines that the two of them perform together as partners are truly hilarious and original. I was left wanting more, and that speaks volumes.
Author: Rogue-32

The Patriot

It's very easy to label this film as a Braveheart rip off from the trailers (which is what I thought), but after watching it, it's actually a completely different film.

The basic plot involves Mel Gibson's character and his family's experiences surviving and fighting in the American Revolution in South Carolina.

The film really excels in it's cinematography and the beautiful locations. Almost every shot in the film is picturesque and dripping with detail and rich colors. The acting is also extremely well done with another rock solid performance by the dependable Mel Gibson. In fact, I really couldn't find a weak person in the cast.

Possibly the major flaw that I found was the film's running time of 165 minutes. There are some points where the film drags a bit and I think that with a bit more editing and fine tuning of scenes this film could have be a lean and mean 120 min. film.

Another complaint that I had was the battles. While technically well staged and choreographed, they also didn't quite get me involved like I thought they would. In fact, I thought that some of the quieter scenes in the film were some of the most successful.

Overall though, I enjoyed the film and while it has it's share of problems, it's still turned out much better than I was anticipating.
Author: Profondo-Rosso

Blade Runner

What can be said about this film that hasn't already been covered in preceding decennia? Blade Runner (either version) stands the test of time as an epic story which transcends a disparity of genres, as well as the seminal "dark" sci-fi film which has been mimicked so frequently (to varying degrees of success) since its original release. The interplay of film noir, sci-fi, and what is one of the most philosophically symbolic and academically analyzed narratives of the modern era holds its ground on both visual and cerebral levels even in the face of today's CGI laden blockbusters. The new director's cut, contrary to many cinematic re-hashings, actually serves to clarify many of the more nebulous aspects of the plot and makes a great film even better, arguably allowing it to be modernized and polished for a new generation of viewers who are more picky and yet simultaneously less idealistic. All while sustaining the feeling and flavor of the original. Call it restorative work if you will. The tinny and meandering score by Vangelis is pure 1980s at its most brooding and fits the texture and mood of the film beautifully. Indeed, for many reasons, finding this film in someone's DVD collection makes a true statement about their discriminating and refined taste in movies, and equally their appreciation of film as an artistic medium. I would suggest picking up a reader by someone like Nietzsche, Foucualt, Descartes, Kierkegaard, or any of the great existentialist philosophers after viewing this film in order to appreciate the story & its concepts at a whole new level, regardless if you're watching it for either the 1st, or the 100th time. An enduring classic and an intrepid piece of film-making with rich & often haunting visuals designed to entertain and promote introspection amongst its viewers. 9/10.
Author: marntfield

Beowulf

I have read Beowulf a couple of times. It's great northern European mythology, and mandatory reading when you are young in my opinion (Along with Norse, Greek and Roman Mythology as well). And though the movie wants to re-write some of the epic, you will need to separate the Hollywood version from the beautiful measure of the original works. Being a work of CGI, you will also have to allow for the flaws of pure CGI work. Very stylized and beautifully colored, it is an epic adventure that elevated Zemeckis' previous work "The Polar Express" to a new level. Polar was beautifully modeled after Chris Van Allsburg illustrations for his book, but Zemeckis' adaptation to the story went a little over the top when it became a musical. Even though most of Beowulf's story line is answered here, it did make me pause and wonder:

Why didn't Robert Zemeckis just direct this thing in real life instead of virtual?

With the capabilities of dropping in CGI into real life action, this telling of the story could have had so much more of an impact if the expressions were more poignant. Look what he did with "Who Framed Roger Rabbit?"? Zemeckis is fully capable of it. Also, to add to this, when you have CGI characters like Jacksons Gollum and King Kong to compare notes with, the modeling here just isn't up to snuff. I felt the entire movie came off like a gigantic "cut-scene" to a video game than a full featured animated project. I can only give this a little better than a good, hence the exclamation. I do this sadly. You really should see this in a theater, bigger than life. The dragon is excellent, the ugly v/s the beautiful is wild, the sequencing is uneven, though at the end it takes you on a great ride. Oh, and for you people that want to go see Angela Jolie nekkid? IT'S CGI!!! I've seen harder stuff on Fox networks! Seeing my wife and I saw this as a matinée, the crowd was on the sparse side and there was literally no kids present. I couldn't get a solid feeling from the audience though most people as they left seemed genuinely happy with their experience. I'm sure it was PG13'd because of the sequences with Angela, otherwise it would be a solid PG. I wouldn't suggest this for a kid under 8.
Author: Astralan

Iron Man

As an avid reader of the Iron Man comics, I was excited but also very scared that this movie would flop. While Robert Downey is not the biggest name in Hollywood, he plays the part perfectly and I was greatly impressed by how he portrayed Iron Man so well.

The humor works well for this film also. It's well-written and has a great cast. What impressed me the most was the CGI! They're breath-taking, but aren't distracting enough to let you miss the finer points of this movie.

In conclusion, while not perfect, Iron Man lives up to its hype and my expectations as a reader of the comic.
Author: z-mbe

Hairspray

Not that I'm surprised that I liked it but yes that I liked it as much as I did. Keeping some of the lovely John Water garishness but mainstreaming it enough to make it mainstream. John Travolta in the Divine part is truly divine. He went for it and played it for real. I thought it was actually moving at times and the illusion works, beautifully. Michelle Pfeiffer opening a new chapter in her career, the thin as a rail, gorgeous, middle age bitch. Great fun to watch. Christopher Walken, adorable. I had hoped a bigger splash of a dance number between Travolta and Walken - after all they were playing husband and wife in a musical and when are we going to see that again. Their moments together are, how can I put it? Nice, very nice. Nikki Blonsky inherits Riki Lake's oversize heroine with gusto and lots of energy. Allison Jenney, as usual, steals every moment she's in. Alas, far too few, and John Waters plays a quick cameo as a Baltimore flasher. What else do you want out of life.
Author: marcosaguado

Cloverfield

I have to say that I haven't had so much fun in a movie theater in such a long time. Cloverfield brought back a sense of excitement and delight for me.

The movie draws you in, makes you a part of the experience. It succeeds primarily because of two things; what you see and what you hear.

The movie does not have a major actor stealing the screen. Everyone is treaded just about equal. As the viewer you feel you are with the group as you are seeing the movie from the first person view. You feel connected to the characters as you understand that because of their loss, they have to set something right and not escape from the city. The movie draws you in and you feel like you are a part of the action.

There is no music. Ambient sounds such as creeks and thumps don't distract you from looking at all the finer details. You stay focused on what's important and constantly entertained.

One thing you must remember going into this movie. Remember the first 10 seconds of the movie (the stuff that comes right after the Star Trek teaser). If you keep that in mind everything will make sense and make the movie more pleasurable.
Author: Z. Unger

Total Recall

One of the best mind trips ever, I could only wish this movies was made ten years later. Even for 1990, this film had some of the most imaginative make-up I've ever seen in a movie. While it had Paul Verhoeven's classic shallowness, the film really touched new ground not only with science fiction but also with special effects. Talk a good few years for a director, he not only changed sci-fi with Robocop, he did it again with Total Recall. Verhoeven will never, ever win an Oscar for best director, but his movies will at least be entertaining in most respects.
Author: Agent10

Shooter

Mark Wahlberg might be the Bruce Willis of the new generation. His taciturn Bobby Swagger is perfect. The action is basically nonstop and very gritty. Bobby is a sniper who has retired to the mountains after being screwed by the government in an event which finds his sidekick dead. After being set up, he is stone cold killer. Think Jason Bourne as someone who remembers his past is really p.o.'d about it. The acting is good all around, with Glover and Beatty as bad guys you love to hate. Underlying all this a morality tale about what this country and its government have become. Many situations, of course, stretch the imagination , but watching a sense of honor prevail, no matter how briefly, is worth the price of admission. No Oscar nominations here, but a big bundle of money for the producers will be no surprise.
Author: jpanyard

Saw

Movies like Saw are the ones that makes us believe in the horror genre. It is because of such movies we like to see horror/thriller movies. Let me tell you that after watching Saw I wanted to buy the ticket and watch it again because after a long time I got to see a real gripping and tightly directed horror movie. The movie is very exciting and has a lot of goosebumps. However, if you are a faint of heart please do not see this movie as it has a lot of gore/violence in it which will make you jump out of your seat. I just can't wait for the DVD to come out as I really want to buy it. My recommendation to all of you is to watch Saw and have a good time like I did. Also, the movie has a great twist.
Author: dhruvdude

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